Chicago.
I sitt tiende sensasjonelle år, er CHICAGO the Musical den mest sette gjenoppføringen i West End’s teater-historie.
Nattklubbdanser Roxie Hart dreper elskeren sin og havner i Cook County Jail. Her møter hun avdelingsrivalen Velma Kelly. Med hjelp fra den veltalende advokaten Billy Flynn, forsøker de både å havne i overskriftene og å unngå dødsstraff.
Laget av musical-talentene til John Kander, Fred Ebb og den legendariske koreografen Bob Fosse er CHICAGO's sexy, sprudlende handling krydret med hits som "All That Jazz", "Roxie", "Cell Block Tango" and "Razzle Dazzle".
ROLLE INFORMASJON
Roxie Hart:. Josefina Gabrielle fra 8 mai 2007
Velma Kelly: Amra-Faye Wright fra 7 May 2007
Billy Flynn: Michael Simkins
Amos Hart: Matthew Lloyd Davies
Mama Morton: Susie McKenna fra 8 mai 2007
Mary Sunshine: T Solomon
Travel
Nearest Tube: Covent Garden (Piccadilly line)
Turn left from Covent Garden station (away from the market) and turn left agian on Long Acre. Take the next right into Langley Street. Turn left onto Shelton Street. Turn right into Earlham Street. The theatre is at the end of Earlham Street at Seven Dials.
Nearest Rail: Charing Cross (Northern/Bakerloo lines)
Take Northern line to Leicester Square. Change to Piccadilly line to Covent Garden.
Parking: Westminster City Council Car Parks Cambridge Circus. NCP St Martin’s Lane. Meters in Earlham Street and in Mercer Street. Please note that parking in central London can be difficult and expensive. If possible please use public transport.
ACCESS
Wheelchairs: 2 spaces in Stalls. Transfer seating available to any aisle seat. Wheelchair users must bring a non-wheelchair using companion.
Hearing Impaired: Infrared headsets.
ADMITTANCE POLICY
Regrettably babies and toddlers will not be admitted to the theatre. Children aged 5 years and over will be admitted and, more specific age limits may apply depending on the production. Children should be able to sit, unaided, in their own seat and be attentive to the performance so as not to distract other paying members of the audience.
Admittance to the auditorium is always at the discretion of theatre management.